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23

Feb

The Corner Society Welcomes Illustrator Chris B. Murray

Chris B. Murray is an artist / illustrator. Born in Upstate New York, he relocated to Philadelphia after graduating from R.I.T (Rochester, NY), with a chip on his shoulder and very little work experience. He still lives there and spends countless hours creating stimulating visuals, feasting on good eats with his girlfriend, Emily, and scolding their boxer puppy Chunk from chewing up everything in sight.

                    

He’s currently collaborating with Mariusz Zubrowski on a short animation entitled Simple Jesus Lovin’ Folk

                   

14

Feb

Dominic Serendip & Alcohol&Ecstasy Collaborate on “Emily (Feat. Cazzie Jetson)”

Download the track here

13

Feb

The Corner Society’s Alcohol&Ecstasy Releases Two New Tracks

Download Her Island here

Download Krystal (Remix) here.

The Corner Society Welcomes Illustrator Mat Pringle

 

Mat Pringle was born in South London. He spent an idyllic childhood climbing trees and drawing dinosaurs. After a few false starts, he studied graphic design at the London College of Communication, eventually stumbling his way into the murky world of illustration. He now spends his time doing fantastical figurative illustrations with epic attention to detail; working predominantly with dipping pen and ink. He has since expanded into print-making with the guidance of Print Club London and has since set up a ram-shackle screen-printing studio of his own. He continues drawing dinosaurs (only not quite as well).


His work has been featured in several exhibitions, such as: Multiplayer II (Gallery 1988, L.A), MuTate Britain, DIY London Seen, Pictoplasma Paris and Blisters On My Fingers. It can be found on album covers and sleeves which, as a self-confessed record nerd, makes him very happy. Clients include Threadless, Get A Grip, Cure Studios, Tor Press, Proper Songs and 2nd Drop Records.

Pringle is currently in talks to collaborate with Mariusz Zubrowski, The Corner Society’s lead administrator.

31

Jan

Corner Collabs: “Gorgeous: A Short Film”

Teaser coming soon

A once-promising model (played by Hadley Holdorf) loses her fight with clinical depression. 

  • Producer:  ?
  • Director: Mariusz Zubrowski
  • Writer(s): Dominic Serendip & Mariusz Zubrowski
  • Director of Photography: ?
  • Composer(s): 5th Element & Alcohol&Ecstasy 
  • Editor:  ?

The Corner Society Welcomes Film Director Antonio Giosuè

Photo Courtesy of Evgeniya “Jane” Melnikova

Antonio Giosuè was born in Southern Italy. He studied in Milan at the European Institute of Design. There, he attended the three year program in Direction and Production of Audio and Video. He’s currently a student in the New York Film Academy’s one year program in filmmaking. He lives happily in Brooklyn with his girlfriend. When not making cinematic greatness, he particularly enjoys Captain Planet, Action Man, and McGyver.

He’s currently preparing to work as the Director of Photography on The Corner Society’s collaborative effort, Gorgeous.

The Corner Society Welcomes Producers Alcohol&Ecstasy

Alcohol&Ecstasy is a production group from London. Revolving around samples and orchestral instrumentation, their most notable work has been a track called Krystal, which has garnered over 2,000 plays and 100 downloads. With a signature, cinematic element to their songs, they’ve been picked up by Dominic Serendip (a snippet of their collaboration can be heard here).

Download their complete discography on their Bandcamp

Alcohol&Ecstasy is slated to feature on The Corner Society’s first collaborative effort, Gorgeous.

The Corner Society Welcomes Rapper/Actor/Poet Dominic Serendip

As an actor, Dominic Serendip has been on several off-Broadway productions. However, his main squeeze has always been music. His upcoming Hip-Hop album is entitled Live Lucid.

When interviewed by us, he described it a lifestyle, rather than an album. In making the record, he wanted to relate to his listener by getting past his own faults. He believes in inspiring his fans to reject limitations set by others and control their own faiths. 

The Corner Society has snagged his talents (and that of his recent collaborator,Alcohol&Ecstasy) for our first collaborative effort, Gorgeous

You can download Serendip’s tunes on his Bandcamp

18

Jan

The Corner Society’s 5th Element (Zachary Taylor) Releases New Album

Download Pandora for free here

Interview coming soon! 

14

Jan

Mario’s “Redrum Blood Shots”

Drinking redrum in blood shots,

Sinking in black scotch.

With past’s flashbacks,

Dark and sharp,

Like broken glass.

A hypochondriac with malice,

Getting high from my emotions.

Known only by his first name, Mario was born in Greece. He lived there until he was 16-years-old, before moving to Detroit, Michigan. Inspired by pain, his writing chronicles his experiences with suicide, betrayal, and drug abuse. He continues to find peace in paper.

David Rivera’s “Epic Fouls”

A mind mechanized and humanized.

Words capable of carnage, drop like cinder blocks.

Truthful, terrifying as a reflection or pistol to the face.

Yet humble, pleasing, to the ears blissful.

Connection of the soul, seeking liberation.

Understanding the metaphors and left bewildered;

Capturing the meaning, we are marveled.

Geniuses united, lyrics remain undecoded,

Considered not a failure for the music bring us together.

Standing to the dominate, bring him to his knees.

Future generations looking back,

A revolution has occurred in the Hip-Hop world.

The power of music, don’t ever underestimate it,

Fitting for a slave, even an empire.

History to our present, a relatable comparison,

Since each teach us that love always shines.

Where as if you die, you’re not buried but reincarnated as a star.

Decide whether you support the food or liquor.

Not to entertain, think twice before making your first move.

We only fear God,

Not any corporation.

For in the direction of the light,

The world ends now.

David Rivera lives in Canada. He plans on becoming a social worker to help out youths. While not pursuing his altruistic goals, he enjoys reading about history and culture—specifically poetry.

25

Dec

Mariusz Zubrowski’s “Black Light”

The first Christmas since Richard, my father, died, and the funk of stale liquor and vomit was replaced with the aroma of cinnamon scented candles. But the kitchen still stunk of fried fish and borscht as Mom prepared a feast. We had a plastic tree. Almost naked, the faux-fern was carelessly draped by a short string of cherry red ornaments. I sat on the couch, silent as she set the table. To my mother and me, Christmas had become a formality. To feel like a normal Polish-American family, we forced ourselves to prepare dishes neither of us enjoyed and decorate our cluttered apartment with 99 cent mistletoes and lights.

Holiday jingles and themed television shows didn’t excite me, but I couldn’t escape them. At school, the facility threw parties for the students before winter break. “How about some music?” my English teacher, Ms. Wilde would ask, fiddling around with the antique record player she kept at her desk. Eccentric, she rarely combed her hair and always spoke in high-pitched squeals. But at 13, when many of my peers listened to songs about sex and drugs, regularly viewed pornography, and experimented with the vodka in their parent’s private stash, having cardboard cutouts of Santa Claus in each classroom and dancing to “Frosty the Snowman” seemed like an attempt to reclaim our innocence.

Maybe I was bitter for never experiencing the cheer being advertised. Christmas never stopped Richard from coming home drunk. He would still hit my mother and voice his disgust. “You failure,” he’d shout, towering over me. I’d retaliated after he punched Mom. “This slime is my son?” His eyes were bloodshot and his spine bones poked from beneath from his skin. She clenched her stomach in pain, while Richard tugged on my ear and slapped the back of my head. “It’s because you were raised by this whore.” He pushed me away. “That’s why you don’t call me ‘dad.’”

He was my biological dad, nothing more. To my mother, he was a constant evil. But since childhood she’d safeguarded others: Whether it was her schizophrenic mother, who she kept from hurting himself, or protecting me from abuse. It gave her purpose. I overhead her telling Ching, who lived next door, about her loneliness. Following Richard’s death, she reminscened on the early days of their relationship. He would promise her the world. Coincidentally, it was after my birth that he began to question his life choices and drink away regrets. Now, Mom became embroiled in an endless cycle of going to work and coming home to an empty bed. “I’m grateful that Mariusz’s there, but some things you can’t talk to your child about.” 

“You need a man. It’s time to move on.” Ching was a social recluse, but she trusted us. Mom had invited her over for our holiday dinner, but gatherings weren’t her thing.

“All men are the same. I swear, if my son ever comes home drunk, I’ll hang myself. They say it’s genetic, you know? He already has his father’s impatience.”

That Christmas evening was cold and damp. I looked out the window. Our ancestors believed that waiting until the first stars were out before eating brought good luck. However, the horizon was blanketed with thick clouds. A storm just passed. Ornaments wrapped around our neighbor’s fire escape flickered on and off. It didn’t bother them.

There were two sets of silverware prepared. “Did you take your meds?” Her hands shook as she finished preparing the table, which was covered in a worn cloth. 

“Yes.” I was on anti-depressants. Mom insisted I speak to a professional. She self-medicated and took pills out of my prescription. She had become determined to avoid her mother’s faith, said to run in the family. To her, Prozac was the end-all-be-all. “Nothing,” I reported back, disappointed in Mother Nature’s reluctance to grant me the “perfect” Christmas.

“Forget it, come eat.” I trudged back to the dining room. Within seconds, Mom started to pick apart a piece of salmon. “I’m starving.” She squeezed a spoonful of lemon juice onto her plate. I started with the soup. Mushrooms floated atop the red liquid. I hated them.

I wasn’t interested in the food. The conversation between her and Ching had haunted me for weeks. To others, I was a bastard child, destined to become a statistic: Either I would become like my father, becoming a testament to the misfortune of genetics, or I wouldn’t, becoming a minority. Everyone told me that I was different, but was my own mother expecting me to fail? Or did she, in her own way, try to prevent that? I didn’t have the courage to ask. “Do you miss him?”  

“Even if I did, do you remember ever having a dinner like this? Nice and quiet, like a miracle.”

As the co-founder and administrator of The Corner Society, Mariusz Zubrowski is out to inspire creativity and the arts. He’s the creator of the “Momma’s Boyfriend” series, which is gearing up for its cinematic releases. And when he’s not writing or exploring Tumblr, he spends most of his time watching television with his cats (both of whom can vouch for the disastrous reality shows he has forced them to enjoy).  

20

Dec

Love Carlshamre’s “Away”

I’d been gone for too long.

 Chasing tales, not memories.

A bag filled with worn-out jeans and old notebooks,

With no one willing to listen,

It’s just me and my stories.

Love Carlshamre is an aspiring poet who has lived in Stockholm, Paris and Montreal.  


14

Dec

We Recommend: The Write Idea: A Community Writing Experiment: Beginning The Write Idea

Here’s an idea: A writing community on Tumblr? Count us in! 

thewriteidea:

Hello!

So here goes an experiment. A social writing experiment, if you will.

I think one of the most valuable things I’ve ever experienced in being a writer is being a part of a community — tackling an idea on my own and seeing how others would tackle it in their own unique way. There’s…

The Corner Society & Emily Lozano Proudly Present: “Cuba: Branded”

In our commitment to creativity and art, The Corner Society happily introduces Emily Lozano, a photographer-turned-activist. Below she describes our ongoing collaboration, which you can help out with a small donation on her Kickstarter. Furthermore, all who pledge $5 or more (and send proof via email) will be eligible for a chance to be spotlighted on our site..    

“Hello! I’m a freelance graphic designer in Chicago. Cuba: Branded is a project that explores the state of branding in a communist country, where everything is owned by the state. I plan to travel to Cuba and photograph examples of branding including packaging, printed materials and storefronts. From these I’ll create a set of 20 full color 4 x 6 postcards.

My parents were born in Cuba in 1930. My dad was one of two kids and my mom was one of 9. While I was growing up I heard countless stories about what it was like before Castro’s reign. The food, the parties and the freedoms which we would consider normal.

My dad told me about how he was part of the CIA’s attempts to overthrow Castro. He did this for about 4 years, two years on the island and two years living in Florida and traveling secretly between the two countries. Finally he decided to escape in a little boat with my mom and 2 older sisters. Their lives nearly ended that night. These stories were thrilling to me as a kid and still are. They kept Cuba alive for us.

Eventually my family moved to Chicago. Not long after that I came along. I grew up like any American kid surrounded by branding. Like a lot of kids, I was told to clean my plate because there were starving children who would be grateful for food. That kid was my cousin Anabel. She was about my age and my relatives from Cuba always brought news about what Anabel was doing. I grew up always thinking about her life, which was the polar opposite of mine.

Cuba:Branded is an extension of my curiosity. I grew up there, surrounded by brands, with new ones popping up all the time and even helping to create some. I spend a lot of time thinking about brand loyalty and how consumers make choices based on brands. But what’s Anabel’s experience with brands?

In a country where the state owns and makes everything, what happens to brands? One interesting example is Bacardi. It was a Cuban brand that moved to Puerto Rico after the revolution. But they are still making rum at the old Bacardi location. What does that label look like?

While I’m there I’ll take photos of Cuban “brands” including product packaging, printed materials and storefronts.

I expect to find some established, well-executed brands and a lot of mom and pop trademarks. I’ll collect Cuban made products and will try to meet with the artists who worked on them, if I’m allowed.

I also want to talk to Cubans about how they make choices and if brands enter into that equation. Do they have more than one kind of product? Are some brands better than others? There are many brands of cigars, but is there more than one kind of coffee? Sugar? Does branding influence choices or is it all about price and availability?

I’ll be photographing the brands, so we’ll get to see what the aesthetics are. Is the look of brands stuck in the 50s or have other countries influenced the commercial art there? How is the art made? What’s the design process like?

I plan to travel in the Spring of 2012, and I hope to stay for one or two weeks. My sister will be joining me to help with legal questions and translating, and so that I am not traveling alone. The Corner Society will document my journey.

Your funding will help with:

Travel expenses to Cuba (flights are about $1500)
Travel within Cuba (taxis, car rental, etc.)
Photography supplies (memory cards, etc.)
Hotel stays (while I can stay with family in Matanzas I’ll need to spend some time in Havana as well.)
Product purchases to photograph (I’ll need to purchase food and other household items to photograph the packaging)
Printing costs for the postcards and box

Anything above the goal will help provide a longer stay, better equipment, more product purchases and possibly more postcards for the set.

The finished product will be 20 4 x 6 postcards printed on 100# recycled paper (cardstock) and collected into a box with a full color sleeve. I plan to print these in May or June of 2012.

I realize this project is very expense heavy because of the travel. I’ve tried to make the rewards fair without breaking my budget. If you contribute at $500 or more I will bring back a souvenir for you — something I’ll find it hard to part with!

If you’d like to have extra sets of the postcards please add on $5 for each set. At the end of the funding cycle you’ll have a chance to indicate the quantities you’d like.

Please add $5 for shipping to Canada.
Please add $10 for shipping outside of US or Canada.

I’m sure I will come back with more photos than I can publish at one time so this may lead to a Volume Two.

Feel free to contact me with any questions and please help spread the word. Thank you so much for your support!”